REVIEW: In Lay Me Down Softly, There’s No Knockout
Some fine acting enlivens Irish Heritage Theatre’s production, but the show is punching above its weight.
REVIEW: At Second Stage, the Quiet, Epochal Mary Page Marlowe
In 90 understated minutes, Tracy Letts sums up a life.
REVIEW: Fern Hill Goes Far Too Gentle Into That Good Night
A starry production at New Jersey Rep can’t overcome the thinness of Michael Tucker’s play.
In Young Jean Lee’s Straight White Men, Bros will be Bros
The author has tweaked her intriguing, elliptical script in problematic ways.
REVIEW: PSF’s All’s Well That Ends Well is the Comfortable Side of Extreme
In positive and negative ways, this bold production idea proves surprisingly smooth sailing.
REVIEW: In Titus Andronicus, the Son Will Come Out, Tamora
Shakespeare Theatre of New Jersey’s energetic production makes a good case for the play without solving all its problems.
REVIEW: PSF’s Shakespeare in Love is a Midsummer Night’s Dream
Yet this extravagantly enjoyable show would benefit from being taken a bit more seriously.
REVIEW: From the Transport Group, Smoke… and Intermittently, Fire
In this intriguingly spare production, Tennessee Williams’ Summer and Smoke remains a puzzler.
REVIEW: More Flash than Substance in Broadway’s The Iceman Cometh
The major takeaway from George C. Wolfe’s uneven production is it’s time we put Iceman on ice.
REVIEW: In Three Tall Women, One Towers Above the Others
Joe Mantello’s wildly entertaining production also exposes the flaws of Albee’s play.
reclining standards 