Two final events at O18 sum up the wonders of this extraordinary festival.
An important but rarely produced American play gets a reboot from a South African company.
In this enchanting show, the second act is the charm.
Blythe’s virtuosity actually anchors the show to opera; Martha not so much.
Imagine you are at Disneyland, and there’s an Anthony Roth Costanzo ride.
If only Donizetti’s Lucia di Lammermoor, a setting of Walter Scott’s gloomy novel in which the heroine is traded like a piece […]
The two-part evening starts arch, but ends in triumph.
In a delightful song program, Ashley Robillard and Siena Licht Miller show exceptional promise.
It would be hard to imagine a better metaphor for O18 than this poignant new opera.
A winning evening with local artists telling powerful and eclectic stories.