Now Sleeps the Crimson Petal: DF Reviews Sleepers Awake at Opera Philadelphia (for Parterre Box)
At Opera Philadelphia, Gregory Spears’ opera both mystifies and enchants.
At Opera Philadelphia, Gregory Spears’ opera both mystifies and enchants.
Mentored by Yannick Nézet-Séguin, the Curtis Symphony Orchestra proves themselves the equal of any major American orchestra.
Golda Schultz and Jonathan Ware present Dark Matter(s), an intriguing program of songs, at the Philadelphia Chamber Music Society.
A dazzling but deeply moving Mahler 2nd suggests that busier is better for our beloved YNS!
The dazzling Complications in Sue bodes well for Anthony Roth Costanzo‘s stewardship of Opera Philadelphia.
Global warming meets the cool factor in The Seasons.
In a program ranging from Schubert to Tosti, the beloved tenor charmed the pants off Philadelphia.
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
Sweet Smell of Success was strongly cast here, but the merits of this noir musical are hardly black or white.
Perhaps this patch of rural America is now too well trod.