Soprano Lydia Grindatto confirmed her promise with a charismatic, thoroughly inhabited Violetta.
Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.
This is likely the best Giargiari Bel Canto competition year in my experience, evidenced in several important ways.
Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.
In bel canto opera, virtuosic singing IS the drama. Accept that, and O22’s OTELLO pays off thrillingly.
In THE RAVEN, Festival O’s characteristic imagination and audacity remain front and center.
This superb production of a Tennessee Williams’ rarity illuminates by lightening the playwright’s life and work.
No roller coaster has generated more stomach-churning highs and lows than the musical Dear Evan Hansen.