reclining standards

REVIEW: In Little Bear Ridge Road, Samuel D. Hunter Treads Familiar Ground

Perhaps this patch of rural America is now too well trod.

Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy

Preston Max Allen’s new play feels like a Very Special Episode.

Rossini’s relative rarity gets a splashy if not wholly coherent production at Opera Philadelphia.

The show has an adoring following, but it’s less edgy than its forty-year-old source material.

In top form, the Met musicians gave rich voice to each selection.. especially the Dvořák.

I’d never imagined spending 10 hours with TRISTAN UND ISOLDE, but such is the magic of this event.

A musically strong, theatrically questionable production closes the Opera Philadelphia season.

It’s not BOMBSHELL … It’s just a bomb.

Morley and Moore in a mixed program, brilliantly conceived and superbly performed.