Everybody Is Nothing Until You Love Them: Our Critics Watch The Rose Tattoo (for Parterre Box)
It would be impossible to overpraise Anna Magnani’s performance.
Lady Drinks the Booze: Our Critics Look at Smash-Up and I’ll Cry Tomorrow
I’ve said it before, and I’ll say it again: nobody hits rock bottom like Susan Hayward.
The Gang’s All Queer: Our Critics Discuss Ryan Murphy’s film of The Prom (for Parterre Box)
If the original version of The Prom had zazz—Ryan Murphy’s adaptation barely achieves fizz.
I Soil Easily: Our Critics Discuss I Want to Live! (for Parterre Box)
The camp elements here–including Susan Hayward’s performance–are undeniable, yet I WANT TO LIVE is a sincere and important movie.
“There’s a Speed Limit in this State:” DF and CK discuss Double Indemnity (for Parterre Box)
Featuring Barbara Stanwyck’s blood-chilling performance, this may be the greatest Film Noir ever.
‘Morning’ Has Broken: Our Critics Consider Stage Struck (for Parterre Box)
In this rarely seen 1958 remake of Morning Glory, Susan Strasberg does not prove herself the next Katharine Hepburn.
Just Turn Her Loose on Broadway: Our Critics Discuss Forever Female (for Parterre Box)
The lead role is a wonderful fit for Ginger Rogers, who plays it with brassy charm and a laudable sense of humor.
Velvet Underwhelmed: Our critics discuss The Velvet Touch (for Parterre Box)
Camp is the lens through which this film is best examined, including an utterly bewildering cross-pollinating of genres.
Where the Boys Are: DF and CK on Ryan Murphy’s The Boys in the Band (for Parterre Box)
BOYS could be seen as the gay equivalent of SHOW BOAT—hugely important, and now extremely problematic.
A Life in the Theater: DF and CK discuss All About Eve (for Parterre Box)
All About Eve continues to hold an undeniable and lasting interest for gay viewers.
