The lead role is a wonderful fit for Ginger Rogers, who plays it with brassy charm and a laudable sense of humor.
Camp is the lens through which this film is best examined, including an utterly bewildering cross-pollinating of genres.
BOYS could be seen as the gay equivalent of SHOW BOAT—hugely important, and now extremely problematic.
All About Eve continues to hold an undeniable and lasting interest for gay viewers.
The candor of some aspects of this Bette Davis classic is truly startling.
Two films 50 years apart prove that Bette Davis is always—gloriously—Bette Davis.
The delightfully subversive Western features one of Joan Crawford’s most iconic performances.
As Blanche Hudson might have said, “It’s still a pretty good picture”… and then some!
Another installment in our series on Bette Davis brings us to the second thriller in the famous Robert Aldrich diptych.
Jeanne Eagels and Siobhan McKenna show that there are many ways to write The Letter.