Pianist Envy: CK Reviews Good Night, Oscar on Broadway (for Parterre Box)
Doug Wright’s new biographical dramadey, seems at once intimately familiar with and entirely alien to its subject.
Artists With Enough “Oomph”?: DF Reviews the Met Laffont Competition Grand Finals (for Parterre Box)
At all of these vocal contests, I ask myself the same question: What are the judges looking for?
Arch Types: DF Reviews Into the Woods at Philadelphia’s Kimmel Cultural Campus (for Parterre Box)
What do you see when you look at Into the Woods? The musical might serve as a theatrical Rorschach test.
They Trod a Path That Many Have Trod: DF & CK Review Sweeney Todd on Broadway
This is by any measure a triumphant show, evidence that Broadway can still be American theater’s gold standard.
reclining standards 