DF Reviews Yannick Nézet-Séguin and the Philadelphia Orchestra’s Two Season-Opening Concerts (for Parterre Box)
In two concerts with wide-ranging repertoire, Yannick and the Philadelphia Orchestra offer an opening week to celebrate.
The Awkward Stage: DF Reviews Mitridate, Re di Ponto at Opera Philadelphia (for Parterre Box)
This production, directed by Emma Griffin, is both a “how to” and a “how not to” stage an opera seria.
CK Reviews Fidelio at the Cleveland Orchestra (for Parterre Box)
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
The Poetry is in the Pity: CK Reviews Britten’s War Requiem (for Parterre Box)
Klaus Mäkelä unexpectedly joins the foray for The Cleveland Orchestra‘s performances of Benjamin Britten’s War Requiem.
Youth Has No Age: Curtis Symphony Orchestra in Concert (DF for Parterre Box)
Mentored by Yannick Nézet-Séguin, the Curtis Symphony Orchestra proves themselves the equal of any major American orchestra.
Lady in the Dark: CK Reviews Golda Schultz in Recital at PCMS (for Parterre Box)
Golda Schultz and Jonathan Ware present Dark Matter(s), an intriguing program of songs, at the Philadelphia Chamber Music Society.
Arc of Life — DF reviews Complications in Sue for Parterre Box
The dazzling Complications in Sue bodes well for Anthony Roth Costanzo‘s stewardship of Opera Philadelphia.
Reduce, Reuse, Recycle — DF Reviews The Seasons at Opera Philadelphia (for Parterre Box)
Global warming meets the cool factor in The Seasons.
Mein Lieder Schwan — Matthew Polenzani at PCMS (CK Review for Parterre Box)
In a program ranging from Schubert to Tosti, the beloved tenor charmed the pants off Philadelphia.
Form Over Function: Anika Kildegaard in Recital at PCMS (DF for Parterre Box)
A consideration of Anika Kildegaard’s extraordinary recital in Philadelphia—and the oddity of recitals themselves.
