Velvet Underwhelmed: Our critics discuss The Velvet Touch (for Parterre Box)
Camp is the lens through which this film is best examined, including an utterly bewildering cross-pollinating of genres.
Camp is the lens through which this film is best examined, including an utterly bewildering cross-pollinating of genres.
BOYS could be seen as the gay equivalent of SHOW BOAT—hugely important, and now extremely problematic.
All About Eve continues to hold an undeniable and lasting interest for gay viewers.
Fueled by a fierce intelligence, deep earnestness, exceptional eloquence, and social media savvy, Joyce DiDonato is a presence and a power.
The candor of some aspects of this Bette Davis classic is truly startling.
This lovely program of arias, duets and songs reveals an entrepreneurial spirit and undaunted good humor.
Two films 50 years apart prove that Bette Davis is always—gloriously—Bette Davis.
The delightfully subversive Western features one of Joan Crawford’s most iconic performances.
As Blanche Hudson might have said, “It’s still a pretty good picture”… and then some!
Another installment in our series on Bette Davis brings us to the second thriller in the famous Robert Aldrich diptych.