Silent Treatment: DF reviews Strauss’s Schweigsame Frau at Bard (for Parterre Box)
A lovingly restored version of Strauss’s opera reveals that sometimes cuts are for the best.
‘Big D’ Energy: David and Cameron Review Most Happy at Williamstown and Sound of Music at Glimmerglass
Two celebrated 1950s musicals get strikingly dissimilar festival productions this summer.
reclining standards 