The fourth and final chapter of MYTHS AND HYMNS feel deeply connected to our current moment.
These streamed recitals, warts and all, have allowed us to see performers let their hair down.
MasterVoices’ imaginative traversal of Adam Guettel’s quirky, charmingly uncategorizable work continues.
Thrilling reinvention, or calcified shtick? Our critics disagree…
For a show set during the hardscrabble 1930s, few performances suggest downtroddedness.
It’s difficult to discuss Unknown Soldier without considering the impact of legacy.
Beth Malone is the Molly Brown of our dreams, say Cameron and David.
Time heals almost everything, as Jerry Herman’s best score is stylishly resurrected.
The long-neglected composer’s work anchored a concert dedicated to exploring personal identity through music.
With predictably Eurotrashy design elements, playwright/director Simon Stone reduces Euripides to soap opera.