The Fuzzy End of the Lollipop: DF and CK review Some Like It Hot on Broadway (for Parterre Box)
That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.
That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.
A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.
Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.
Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.
Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.
Sarah Silverman’s memoir-musical takes on a traumatic subject with an uneasy mix of crude comedy and serious themes.
Can we start by not using Barbra Streisand as a polestar here?
For all of the ingenuity and accomplishment of director Lileana Blain-Cruz and company, something here doesn’t add up.