REVIEW: Heroes of the Fourth Turning Dwells in Darkness
So much doctrine; so little insight.
REVIEW: Florian Zeller’s The Height of the Storm Offers Dementia in a Luxury Setting
Seeing this exercise in naval-gazing on the eve of impeachment feels like the theatrical equivalent of fiddling while Rome burns.
REVIEW: On Broadway, An Overwhelming Betrayal
Director Jamie Lloyd and a strong trio of actors puncture the pomposity of Harold Pinter’s adultery drama.
FOLLOW-UP: More Thoughts on Daniel Fish’s Oklahoma!
Although I saw this provocative production a month ago, I continue to think about it.
REVIEW: Sweeping Down the Plains: Oklahoma! on Broadway (for Parterre Box)
Within minutes, something wonderful happened, and none of my reservations mattered.
REVIEW: In Galas, “Viva” to the Diva!
The flame of Charles Ludlam and his Ridiculous Theatrical Company is fanned here by the great Everett Quinton.
POSTMORTEM: The 2019 Tony Awards
Cameron Kelsall and David Fox share morning-after thoughts on this year’s awards.
REVIEW: Frankie and Johnny in the Clair de Lune is a Star-Crossed Mistake
This production, with a miscast pair of boldface names, can’t withstand the light of day.
REVIEW: Lambs to the Slaughter: Curse of the Starving Class at Signature Theatre
Director Terry Kinney blows up Sam Shepard’s great play and can’t put it back together again.
REVIEW: Happy Talk and the Problem of Tone
Is Jesse Eisenberg’s bumpy play camp…or something entirely different? Critics David Fox and Cameron Kelsall discuss.
