New York

Getting to Be a Habit with Me: DF & CK Review Days of Wine and Roses (for Parterre Box)

Composer and lyricist Adam Guettel’s return to the theater impresses but divides our critics.

The soprano arrived at Carnegie Hall on May 31 with something to prove.

Francois Girard’s Holländer sits on the Met’s cavernous stage as a dull gray mass.

Doug Wright’s new biographical dramadey, seems at once intimately familiar with and entirely alien to its subject.

This is by any measure a triumphant show, evidence that Broadway can still be American theater’s gold standard.

Two radically different productions offer fascinatingly contrasting insights into Williams’ great play.

Two plays — one considerably stronger than the other — aim to capture American Jewish experiences.

That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.

A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.

Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.