New York

No Light, No Window, Just Broken: DF & CK Review Broadway’s Romeo + Juliet

A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.

Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.

This is the show that this season captured theater cognoscenti like no other.

Each successive version pushed the envelope further… and was less effective.

This tale of the trials and tribulations of making great music is brilliantly in tune.

There is lots to hear and see in this Tommy, but little to feel.

Jason Robert Brown’s new musical falls for its own con man.

It seemed like such a great idea on paper.

What began as a planned sendoff to one man ended up as a testament to the valiant effort of another to realize it.

Part Cabaret, part Jersey Boys, Harmony cannot decide on its primary focus.