General Ramblings

REVIEW: Tales of the Citrus: Love for Three Oranges at Festival O19 (for Parterre Box)

Once again, the audacious Opera Philadelphia folks are playing without a net.

Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.

EgoPo Theatre makes a welcome return to Tennessee Williams’ with this fascinating dramaticule.

Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.

Although I saw this provocative production a month ago, I continue to think about it.

Cameron and David continue the conversation about what critics do and how they are perceived.

David and Cameron consider what it means to be a critic… and what other people think it means.

The restaurant setting has a sense of authenticity; the action in it, not so much.

I make no claim to completeness or even to coherence. But here goes…

This accomplished, moving production puts the audience’s imagination to work.