Once again, the audacious Opera Philadelphia folks are playing without a net.
Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.
REVIEW: When Fringe Meets the American Canon (Part II: And Tell Sad Stories of the Deaths of Queens)
EgoPo Theatre makes a welcome return to Tennessee Williams’ with this fascinating dramaticule.
Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.
Although I saw this provocative production a month ago, I continue to think about it.
Cameron and David continue the conversation about what critics do and how they are perceived.
David and Cameron consider what it means to be a critic… and what other people think it means.
The restaurant setting has a sense of authenticity; the action in it, not so much.
I make no claim to completeness or even to coherence. But here goes…
This accomplished, moving production puts the audience’s imagination to work.