General Ramblings

REVIEW: Howards, Endless: The Inheritance on Broadway (for Parterre Box)

It’s not difficult to make an audience weep. But artists have a responsibility to not overuse that power.

They came, saw, and conquered… and I hope they return soon.

This beguiling little musical is a show that could and can… and I sure as hell hope it does!

The popular Facebook game becomes a platform to share some of my favorite film memories.

Taking a Facebook game to the next level, I’m sharing some quirky but heartfelt choices.

Clare Barron’s Pulitzer finalist chronicles the hard road to maturity with a refreshing lack of condescension.

Once again, the audacious Opera Philadelphia folks are playing without a net.

Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.

EgoPo Theatre makes a welcome return to Tennessee Williams’ with this fascinating dramaticule.

Did Bard’s Festival raise our sense of the composer’s classical works? Yes and no.