The 1812 Productions’ team on how and why they make funny in the Age of Trump.
Philly’s love affair with this superb actor has never been more heartfelt.
This gloriously intimate, profoundly moving production finally gets the show exactly right.
Singing doesn’t get better than this.
This glossy but glib production is enjoyable but adds little of substance to Ibsen’s original.
This frantic, antic production doesn’t illuminate Anne Washburn’s poignant satire.
Both play and production are honorable but flawed, though signs are positive for the Philadelphia Theatre Company.
Curio’s homerun production breathes new life into a turgid melodrama.
Dominique Morisseau’s meaty, thought-provoking play gets a terrific production at McCarter.
Inis Nua’s Scottish import teeters between grim uncertainty and twinkly charm.