Paula Vogel’s well-meaning play is cast adrift in a sea of confusion and clichés.
Director Terry Kinney blows up Sam Shepard’s great play and can’t put it back together again.
Is Jesse Eisenberg’s bumpy play camp…or something entirely different? Critics David Fox and Cameron Kelsall discuss.
Does this legendary production, seen in close-up, retain it’s greatness? Yes… and no.
Even the hit songs in this early Jule Styne musical would recede in a better show.
An admirable new cast doesn’t own this play as the first one did.
As a cohesive evening of music drama, this ambitious double bill doesn’t quite add up.