Getting to Be a Habit with Me: DF & CK Review Days of Wine and Roses (for Parterre Box)
Composer and lyricist Adam Guettel’s return to the theater impresses but divides our critics.
Composer and lyricist Adam Guettel’s return to the theater impresses but divides our critics.
Sharon’s reordering is the boldest aspect of his production, and for me it’s effective.
What do you see when you look at Into the Woods? The musical might serve as a theatrical Rorschach test.
Two radically different productions offer fascinatingly contrasting insights into Williams’ great play.
Don Pasquale is Jawn Pasquale in this delightful production at the Academy of Vocal Arts.
This is likely the best Giargiari Bel Canto competition year in my experience, evidenced in several important ways.
In bel canto opera, virtuosic singing IS the drama. Accept that, and O22’s OTELLO pays off thrillingly.
This superb production of a Tennessee Williams’ rarity illuminates by lightening the playwright’s life and work.
No roller coaster has generated more stomach-churning highs and lows than the musical Dear Evan Hansen.
An elegantly streamlined makes the best case for the show I’ve yet seen.