The collective audience sigh of joy that greeted the opening chords signaled success from the start.
Dramaturgically, The Hours is a mixed bag: I wouldn’t discard it, but I would want to fix it. But simply as an evening of gorgeous music, it’s cordon bleu.
A Philly That Is Ready for the Race: Opera Philadelphia Announces the 2022-23 Season (for Parterre Box)
I felt a surge of joy learning the Festival O will return in September.
Two young casts due justice to Tchaikovsky’s opera — and bring honor to the Academy of Vocal Arts.
Opera Philadelphia returns to the stage with an honorable, if not entirely convincing, mixed program.
This short but powerful monologue, superbly delivered by Kirsten Quinn, exemplifies the strengths of Irish Heritage Theatre.
Two singers at the top of their game in music as punishing as it is pretty.
Ghena’s Russian Opera workshops were a source of joy to Philadelphia, and a contribution to music far beyond our city.
Opera is back, baby, and it’s good to be home!
Adam Rapp’s elliptical meditation on grief and guilt ushers in a new era of in-person performances in Philadelphia.