REVIEW: Hare-Brained Posturing in The Vertical Hour at Lantern Theater
Politics and culture here are ultimately filler, suggesting but not delivering dramatic weight.
REPOST: Anthony Lawton’s A Christmas Carol Is This Year’s Holiday Must-See
Don’t miss this superb show, which returns for a run this December!
REVIEW: What Flesh Is Heir To: Natural Shocks at Simpatico Theatre
The great Amanda Schoonover makes the ordinary extraordinary.
REVIEW: Music for Moderns — Yannick Nézet-Séguin & Orchestre Métropolitain (for Parterre Box)
They came, saw, and conquered… and I hope they return soon.
REVIEW: Maid Love: Il Barbiere di Siviglia at Curtis Opera (for Parterre Box)
The Berta (mezzo-soprano Emily Damasco) runs away with the show.
REVIEW: Mean Girls Musical Proves You Can’t Go Home(room) Again
Tina Fey’s satire of high school cliquishness ages uncomfortably into the social media era.
REVIEW: The Opposite of Sex: Le Nozze di Figaro at the Academy of Vocal Arts (for Parterre Box)
The production is a mixed bag, but it shows the high vocal standard of AVA’s current artists.
REVIEW: In Irish Heritage Theater’s Woman and Scarecrow, Death Becomes Her
Marina Carr’s gorgeous play both honors the great Irish tradition, and boldly breaks new ground.
REVIEW: In Delaware Theatre Company’s One November Yankee—Small Pleasures Add Up
David and Cameron explore this charming new play, lit up with old fashioned star power.
REVIEW: At the Wilma, Dance Nation Unleashes the Adolescent Id
Clare Barron’s Pulitzer finalist chronicles the hard road to maturity with a refreshing lack of condescension.
reclining standards 