Philadelphia

REVIEW: Marilyn Maye Scores a Home Run at Dino’s Backstage

Singing doesn’t get better than this.

Ensemble coordination is this production’s greatest achievement, along with some fine individual contributions.

A mixed bag of a production, but some singing of significant promise.

This frantic, antic production doesn’t illuminate Anne Washburn’s poignant satire.

Yet Kenneth Lonergan’s often powerful play seems oblivious to its own sense of privilege.

Both play and production are honorable but flawed, though signs are positive for the Philadelphia Theatre Company.

Curio’s homerun production breathes new life into a turgid melodrama.

Dominique Morisseau’s meaty, thought-provoking play gets a terrific production at McCarter.

This tale of terminally unpopular British teenagers feels like a 22-minute sitcom stretched to two hours.

Inis Nua’s Scottish import teeters between grim uncertainty and twinkly charm.