REVIEW: In Small Mouth Sounds, Six Characters in Search of… Shhhhhh!
Despite ingenious moments, the gimmick of Beth Wohl’s play wears out before it’s over.
REVIEW: In John Guare’s Aipotu, Utopia Ain’t What it’s Cracked Up to Be
Part II of the Lydie Breeze Trilogy is linear, concise, and better than Part I.
REVIEW: The Bluest Eye — From Page to Stage, Between a Rock and a Hard Place
The Arden’s Toni Morrison adaptation is too much handsome staging, too little Morrison.
REVIEW: Ready, Steady, Yeti… What?
David Jacobi’s play wants to capture something important. I wish I knew what.
REVIEW: A Transcendent Ariadne auf Naxos at the Academy of Vocal Arts
A terrific evening of music and theater, and a thrilling affirmation of a magnificent work.
REVIEW: In A Steady Rain, Crime Stories at Arm’s Length
Keith Huff’s episodic play has powerful moments, but too much narration.
REVIEW: Curio’s Marie Antoinette has Éclat… Mais Pourquoi?
David Adjmi’s clever but thin play offers theatrical showmanship but not much else.
REVIEW: Love, Lies and Taxidermy at Inis Nua is a Rom-Com for Today
Alan Harris’s rollercoaster of a play is a hint of Spring renewal in the depths of February.
REVIEW: Time Remembered Is an Elegant French Feast
Mastery of style is everywhere in this jewel of a show that is wistful, wry, and deeply touching.
REVIEW: In Waitress, Lots of Sugar and Lard, Not Much Filling
How could some very talented people deliver a show so devoid of authenticity?
