Philadelphia

REVIEW: Orbiter 3’s A People: Show Far, Show Good

But whether this earnest, winning piece is a successful play is an open question.

The “semi-staging” seen here delivers less theater than no staging at all.

This brilliantly acerbic, absurdist comedy gleefully thumbs its nose at trigger warnings.

Is this once-iconic satire still viable, or a historical curiosity? That is the question.

The provocative show that director Emma Griffin offers here goes beyond a reimagined staging.

What’s most unsettling here happens quietly in the shadows.

Michael Hollinger’s funny and clever play could use more gravity.

How do you like your Carmen? The role – and Bizet’s opera – contain multitudes.

In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.

The vocal standards are high, and the pleasure of discovering new talent always exhilarating.