Theater

CK Reviews Giulia: The Poison Queen of Palermo at PAC NYC

There’s much to enjoy here, but the apothecary hasn’t yet mixed the perfect brew.

Susanna Kaysen’s memoir, rife with potential drama, feels surprisingly sedate here.

Ragtime holds a special place in my theatrical consciousness. So why did this revival leave me cold?

Schmigadoon toes the line between sincerity and satire, but never lands firmly in either camp.

Two good reasons to revive Fallen Angels: Rose Byrne, and Kelli O’Hara

Charm counts for much in this chamber musical, on Broadway after a hit run in London.

The New Group’s adaptation of Elmer L. Rice’s rarely produced classic lacks the sharp focus of the original play.

Sweet Smell of Success was strongly cast here, but the merits of this noir musical are hardly black or white.

Perhaps this patch of rural America is now too well trod.

Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy