REVIEW: Walnut Studio’s Meteor Shower—Duck and Cover!
If this production has an astronomy lesson to teach us, it’s that lightning doesn’t strike twice.
REVIEW: Is This A Room… Drama, Meet Reality
Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.
REVIEW: The Resistible Rise of Arturo Ui Is Harder to Resist Than It Should Be
For better and worse, Lantern Theater’s production charms rather than alienates us.
REVIEW: On Broadway, An Overwhelming Betrayal
Director Jamie Lloyd and a strong trio of actors puncture the pomposity of Harold Pinter’s adultery drama.
REVIEW: When Fringe Meets the American Canon (Part I: Come Back, Little Sheba)
Fringe rethinkings of William Inge and Tennessee Williams have fascinating, sometimes revelatory results.
REVIEW: We’ve Been Through the Mill: Moulin Rouge! on Broadway (for Parterre Box)
For all of its winking loucheness, the show is utterly devoid of any real suggestion of sex.
REVIEW: Sweeping Down the Plains: Oklahoma! on Broadway (for Parterre Box)
Within minutes, something wonderful happened, and none of my reservations mattered.
OPINION: Myths About Critics (Installment #2)
Cameron and David continue the conversation about what critics do and how they are perceived.
REVIEW: PSF’s Antony and Cleopatra Is Less Fire Than Hot Air
The gorgeous title characters in this self-consciously clever production are diminished from the start.
REVIEW: Williamstown’s A Human Being, of a Sort Is the Wrong Kind of Exhibition
Playwright Jonathan Payne’s sense of distance robs us of our need for outrage.
