Theater

Sorry/Ungrateful: DF and CK on Consider the Revised Company on Broadway (for Parterre Box)

Katrina Lenk’s Bobbie channels an assertive female persona, but it doesn’t feel fully realized or convincing.

So many of my memories are not simply about shows I loved—they are experiences that literally shaped my life.

Morning Sun often feels as occluded and distancing as the austere, featureless set on which it’s performed.

Who would pay $150 for the privilege to see this schlockfest again, masked and in an uncomfortable chair?

This short but powerful monologue, superbly delivered by Kirsten Quinn, exemplifies the strengths of Irish Heritage Theatre.

Zachary James delivers a thoughtfully crafted, blessedly restrained Quixote/Cervantes.

This film adaptation of Lin-Manuel Miranda’s beloved musical has come around at exactly the right moment.

Watching the actors—masked and in street clothes, struggling with umbrellas—was almost unbearably emotional.

Adam Rapp’s elliptical meditation on grief and guilt ushers in a new era of in-person performances in Philadelphia.

If The Night of the Iguana is not exactly a day at the beach, it’s not really the dark night of the soul it should be, either.