REVIEW: Red Bull’s Richard II Tells Sad Stories Set to a Club Beat
Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy
Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy
Preston Max Allen’s new play feels like a Very Special Episode.
The show has an adoring following, but it’s less edgy than its forty-year-old source material.
It’s not BOMBSHELL … It’s just a bomb.
Playwright Joshua Harmon excels at complicated familial narratives… and this may be his best yet.
Seen here, Mamet’s powerful play feels lost in large void.
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
For better or worse, this show is likely to remind you of conversations from your own life.
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.