Theater

REVIEW: Cameron Kelsall on Ragtime

Ragtime holds a special place in my theatrical consciousness. So why did this revival leave me cold?

Schmigadoon toes the line between sincerity and satire, but never lands firmly in either camp.

Two good reasons to revive Fallen Angels: Rose Byrne, and Kelli O’Hara

Charm counts for much in this chamber musical, on Broadway after a hit run in London.

The New Group’s adaptation of Elmer L. Rice’s rarely produced classic lacks the sharp focus of the original play.

Sweet Smell of Success was strongly cast here, but the merits of this noir musical are hardly black or white.

Perhaps this patch of rural America is now too well trod.

Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy

Preston Max Allen’s new play feels like a Very Special Episode.

The show has an adoring following, but it’s less edgy than its forty-year-old source material.