Theater

Trouble in River City: DF & CK Review Broadway’s The Music Man (for Parterre Box)

This high-gloss production trades on bland Americana at odds Meredith Willson’s sharply satirical, timeless show.

Clare Barron’s play, which explores women and sexual gratification, could be seen as brave or narcissistic or both.

The best of O’Hara’s Long Day is wrenching, illuminating, and will remain with me for a long time.

Opera Philadelphia returns to the stage with an honorable, if not entirely convincing, mixed program.

Katrina Lenk’s Bobbie channels an assertive female persona, but it doesn’t feel fully realized or convincing.

So many of my memories are not simply about shows I loved—they are experiences that literally shaped my life.

Morning Sun often feels as occluded and distancing as the austere, featureless set on which it’s performed.

Who would pay $150 for the privilege to see this schlockfest again, masked and in an uncomfortable chair?

This short but powerful monologue, superbly delivered by Kirsten Quinn, exemplifies the strengths of Irish Heritage Theatre.

Zachary James delivers a thoughtfully crafted, blessedly restrained Quixote/Cervantes.