Theater

REVIEW: Howards, Endless: The Inheritance on Broadway (for Parterre Box)

It’s not difficult to make an audience weep. But artists have a responsibility to not overuse that power.

Seen here, this dated piece of earnest but intolerant realism seems almost a parody of itself.

After seven decades in show business, the legendary actress and comedienne still knows her way around a joke.

Tina Fey’s satire of high school cliquishness ages uncomfortably into the social media era.

This beguiling little musical is a show that could and can… and I sure as hell hope it does!

Marina Carr’s gorgeous play both honors the great Irish tradition, and boldly breaks new ground.

David and Cameron explore this charming new play, lit up with old fashioned star power.

Clare Barron’s Pulitzer finalist chronicles the hard road to maturity with a refreshing lack of condescension.

By the time we’re meant to care deeply about these characters, I’d had more than enough of them.

At its most antic, this production looks less like Buried Child than Buried… with Children.