Theater

REVIEW: In Broken Biscuits at 1812, Too Much Charm Equals Too Little Payoff

This tale of terminally unpopular British teenagers feels like a 22-minute sitcom stretched to two hours.

Inis Nua’s Scottish import teeters between grim uncertainty and twinkly charm.

There’s little here about love, but the show suggests that obsession lasts forever.

An important but rarely produced American play gets a reboot from a South African company.

In this enchanting show, the second act is the charm.

A winning evening with local artists telling powerful and eclectic stories.

Seen here, Edith Wharton’s bitingly brilliant novel looks elegant, lovely, and largely inert.

Tom Stoppard hurls his cleverness like a javelin. But wouldn’t a truly smart play be about things that matter?

James Ijames’ powerful play and Blanka Zizka’s fabulously theatrical staging must be seen.

A nearly-lost gem of a play gets a glowing revival by the gifted Philadelphia Artists Collective.