REVIEW: At PTC, Flimsy Bridges Over Fetid Waters
Jason Robert Brown’s musical adaptation of the cheesy novel stuffs all the bunk back in.
Jason Robert Brown’s musical adaptation of the cheesy novel stuffs all the bunk back in.
Few variants on this iconic play are as audacious as this one, smashingly delivered here.
Seen here, an old fashioned but endearing musical becomes a Trumpian fantasia.
Despite some intriguing ideas, Elmer Rice’s Dream Girl at IRC fails to find full resonance.
This visually stunning production shows EgoPo’s theatrical imagination and innovation at full throttle.
Seen here, one is aware of Clifford Odets’ flaws as a writer—but even more, we see his grandeur.
Eleanor Burgess’s thought-provoking, intelligent play was a balm to my wounded soul.
Blanka Zizka’s high-concept production consistently tries too hard.
Nearly everything about America seems to frighten this playwriting snowflake.
We’ve moved on from Harold Pinter’s pregnant, tedious pauses. Who has the time?