EgoPo’s Lydie Breeze Trilogy Preview for Time Out Philadelphia
Hats off to EgoPo for the theatrical coup of the season: mounting John Guare’s epic play cycle.
REVIEW: Waiting for Godot at Quintessence Melds Humor and Humanity
In director Ken Marini’s revelatory production, Beckett’s modern classic feels freshly-minted.
REVIEW: In EgoPo’s Lydie Breeze, the Ghost of Utopia
Part I of John Guare’s monumental trilogy perplexes even as it makes us want more.
REVIEW: In Really at Theatre Exile, a Fugue State Without a Fugue
Jackie Sibblies Drury’s dreary play is a sprawling, 70-minute journey to nowhere.
REVIEW: In Sensitive Guys at InterAct, Satire with a Heavy Hand
MJ Kaufman’s play is big on dogma and short on insight.
REVIEW: In The Humans, Things That Go Bump in the Night
Walnut Street’s handsome production doesn’t quite cut to the core of Stephen Karam’s fine play.
REVIEW: Stones in his Pockets Skims Elegantly Over the Surface
McCarter’s enjoyable production doesn’t fully realize the shows virtuosity or pathos.
REVIEW: In Copenhagen, Playwright Michael Frayn on a Fission Expeditionary
Sometimes the play at Lantern Theater seems like a great and important work; at other times, not so much.
REVIEW: In Arden Theatre’s A Doll’s House, the Original Fjord Maverick
139 years after its premiere, Ibsen’s masterpiece still feels razor-sharp.
REVIEW: Around the World with Stew in Passing Strange
Wilma’s snazzy revival makes a good case for this charming but quirky show.
reclining standards 