REVIEW: At Second Stage, the Quiet, Epochal Mary Page Marlowe
In 90 understated minutes, Tracy Letts sums up a life.
REVIEW: Fern Hill Goes Far Too Gentle Into That Good Night
A starry production at New Jersey Rep can’t overcome the thinness of Michael Tucker’s play.
In Young Jean Lee’s Straight White Men, Bros will be Bros
The author has tweaked her intriguing, elliptical script in problematic ways.
REVIEW: PSF’s All’s Well That Ends Well is the Comfortable Side of Extreme
In positive and negative ways, this bold production idea proves surprisingly smooth sailing.
reclining standards 