Philadelphia

REVIEW: In Theatre Horizon’s The Agitators, Two 19th Century Superheroes Join Forces

Opening night had an extraordinary feeling of community. Isn’t that what theater should be about?

Playwright Douglas Williams’ ear for Millennial patois is superb… and his eye for character even better.

From Verdi and verismo to Stravinsky and contemporary music, the line-up offers something to fit every taste. Cameron and David discuss.

The long-neglected composer’s work anchored a concert dedicated to exploring personal identity through music.

This charmless, shrill Dolly did not have me at Hello!

Seen and heard here, Donizetti’s late work was stronger on vocal power than bel canto nuance.

The electric current that needs to run through Sam Shepard’s great play is curiously low-voltage here.

Pretty is its own reward, but it has its limits. This recital showed both.

Director Eric Tucker’s production seems like an exercise in “épater la bourgeoisie” smart ass-ness.

I’ve heard starrier performances, but none that made a more powerful case for this masterwork.