REVIEW: All My Sons on Broadway: A Critical Dialogue
Critics David Fox and Cameron Kelsall discuss Arthur Miller, and this idea-free, crash-and-burn production.
Critics David Fox and Cameron Kelsall discuss Arthur Miller, and this idea-free, crash-and-burn production.
The sexiest moment on Broadway this season features a 73-year-old man and a single button.
What once seemed a poignant meditation on AIDS now plays as a study in white privilege.
A beloved and very human story here has the glossy sheen of a theme park ride.
At Classic Stage, this pallid imitation of Brecht & Weill meets a director with the same aesthetic.
Rodgers and Hart’s 1938 dance musical proves impossible to resuscitate.
Scott Ellis’s busy production puts Porter’s sublime musical between a rock and a hard place.
Anna Netrebko and Anita Rachvelishvili shine especially bright in this worthy revival.
Lerner and Loewe’s “lost” musical is a wonderful oddity that should be better known.
Seen here, an old fashioned but endearing musical becomes a Trumpian fantasia.