New York

When You Wish Upon a Scar: DF Reviews Long Day’s Journey Into Night (for Parterre Box)

The best of O’Hara’s Long Day is wrenching, illuminating, and will remain with me for a long time.

This audacious and charming new musical is especially welcome for wondrous presence of Victoria Clark.

This relentlessly upbeat musical about teen suicide raises the question: Is gay without irony even possible?

Morning Sun often feels as occluded and distancing as the austere, featureless set on which it’s performed.

The Lehman Trilogy had me in its thrall from the start. That’s not to say I endorse it wholeheartedly, though.

Who would pay $150 for the privilege to see this schlockfest again, masked and in an uncomfortable chair?

The fourth and final chapter of MYTHS AND HYMNS feel deeply connected to our current moment.

These streamed recitals, warts and all, have allowed us to see performers let their hair down.

MasterVoices’ imaginative traversal of Adam Guettel’s quirky, charmingly uncategorizable work continues.

Thrilling reinvention, or calcified shtick? Our critics disagree…