Love, Loss, & What She Wore: CK Reviews Sondra Radvanovsky in Recital at Carnegie Hall
Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.
Street Scene: DF and CK review Leopoldstadt (for Parterre Box)
Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.
It’s Going to Cost You: CK Reviews The Cost of Living (for Parterre Box)
Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.
Talking About a Revolution: CK Reviews I’m Revolting at Atlantic Theatre Company
In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.
Wet Blanket: David and Cameron Review Bedwetter at Atlantic Theater Company (for Parterre Box)
Sarah Silverman’s memoir-musical takes on a traumatic subject with an uneasy mix of crude comedy and serious themes.
A Faint Impression of the Genuine Article: DF & CK on Funny Girl (for Parterre Box)
Can we start by not using Barbra Streisand as a polestar here?
The End of This Play Isn’t Written Yet: The Skin of Our Teeth at Lincoln Center (for Parterre Box)
For all of the ingenuity and accomplishment of director Lileana Blain-Cruz and company, something here doesn’t add up.
Middle America In Caps: How I Learned to Drive Comes to Broadway (for Parterre Box)
More than just a revival—it’s a reinvigoration of one of the best works of the last 50 years.
Trouble in River City: DF & CK Review Broadway’s The Music Man (for Parterre Box)
This high-gloss production trades on bland Americana at odds Meredith Willson’s sharply satirical, timeless show.
Cries and Whispers: DF and CK review Shhhh at Atlantic Theater (for Parterre Box)
Clare Barron’s play, which explores women and sexual gratification, could be seen as brave or narcissistic or both.
reclining standards 