New York

So Far Away: CK Reviews A Far Country at Atlantic Theater Company (for Parterre Box)

Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.

Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.

Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.

Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.

In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.

Sarah Silverman’s memoir-musical takes on a traumatic subject with an uneasy mix of crude comedy and serious themes.

Can we start by not using Barbra Streisand as a polestar here?

For all of the ingenuity and accomplishment of director Lileana Blain-Cruz and company, something here doesn’t add up.

More than just a revival—it’s a reinvigoration of one of the best works of the last 50 years.

This high-gloss production trades on bland Americana at odds Meredith Willson’s sharply satirical, timeless show.