New York

REVIEW: Nothing’s Gonna Charm You: High Button Shoes at Encores! for Parterre Box

Even the hit songs in this early Jule Styne musical would recede in a better show.

An admirable new cast doesn’t own this play as the first one did.

To resurrect this astonishing show at all in a brief time frame is almost miraculous.

Critics David Fox and Cameron Kelsall discuss Arthur Miller, and this idea-free, crash-and-burn production.

The sexiest moment on Broadway this season features a 73-year-old man and a single button.

What once seemed a poignant meditation on AIDS now plays as a study in white privilege.

A beloved and very human story here has the glossy sheen of a theme park ride.

At Classic Stage, this pallid imitation of Brecht & Weill meets a director with the same aesthetic.

Rodgers and Hart’s 1938 dance musical proves impossible to resuscitate.

Scott Ellis’s busy production puts Porter’s sublime musical between a rock and a hard place.