New York

REVIEW: Red Bull’s Richard II Tells Sad Stories Set to a Club Beat

Shakespeare’s sedate historical tragedy becomes a relentlessly pulsating seriocomedy

Preston Max Allen’s new play feels like a Very Special Episode.

The show has an adoring following, but it’s less edgy than its forty-year-old source material.

It’s not BOMBSHELL … It’s just a bomb.

Morley and Moore in a mixed program, brilliantly conceived and superbly performed.

Playwright Joshua Harmon excels at complicated familial narratives… and this may be his best yet.

The new musical starring Idina Menzel, ostensibly a paean to a back-to-nature life, could hardly feel more manufactured and synthetic.

Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.

The American debut of a truly great singer and recitalist is cause for rejoicing.

For better or worse, this show is likely to remind you of conversations from your own life.