What the diva does in this mixed-bag revival is star-lit and memorable. But is it acting?
In a kitchen in Rhinebeck, ordinary and extraordinary life transpires in Richard Nelson’s magnificent trilogy.
This high-budget, high-energy production is entertaining but rarely more. Why not?
In Josie Rourke’s entertaining revival, archness is the peril that lies ahead.
Pablo Heras-Casado led a propulsive performance that made a strong case for Beethoven’s problematic opera.
A listless concert staging proved that this one-off Rodgers & Sondheim collaboration doesn’t need a revival.
Bock, Harnick and Masteroff’s superb show is not a “musical comedy” — so why is it performed like one?
A few curious choices mark Jonathan Kent’s production, but they don’t diminish the play or Jessica Lange’s riveting performance.
This Crucible, a veritable melting pot of theatrical ideas, is by turns heartbreaking and brilliant, overwrought and silly.
Here, in the original “Room Where It Happens,” nothing interesting happened.