Momentum Mori — DF Reviews Don Giovanni at Opera Philadelphia (for Parterre Box)
A musically strong, theatrically questionable production closes the Opera Philadelphia season.
A musically strong, theatrically questionable production closes the Opera Philadelphia season.
It’s not BOMBSHELL … It’s just a bomb.
Morley and Moore in a mixed program, brilliantly conceived and superbly performed.
Emma Griffin’s “Go big or go home” production scores a win for Bernstein’s musical/operetta.
The new musical starring Idina Menzel, ostensibly a paean to a back-to-nature life, could hardly feel more manufactured and synthetic.
Rebecca Frecknall’s gripping staging makes new a play many of us feel we know inside out.
The American debut of a truly great singer and recitalist is cause for rejoicing.
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.
Opera took center stage on the final weekend of the Philadelphia Orchestra season.