There’s little here about love, but the show suggests that obsession lasts forever.
Two final events at O18 sum up the wonders of this extraordinary festival.
An important but rarely produced American play gets a reboot from a South African company.
In this enchanting show, the second act is the charm.
Blythe’s virtuosity actually anchors the show to opera; Martha not so much.
Imagine you are at Disneyland, and there’s an Anthony Roth Costanzo ride.
If only Donizetti’s Lucia di Lammermoor, a setting of Walter Scott’s gloomy novel in which the heroine is traded like a piece […]
The two-part evening starts arch, but ends in triumph.
In a delightful song program, Ashley Robillard and Siena Licht Miller show exceptional promise.
It would be hard to imagine a better metaphor for O18 than this poignant new opera.