REVIEW: Buried Child at EgoPo Takes the Comic Road
At its most antic, this production looks less like Buried Child than Buried… with Children.
REVIEW: Pink Flamingos: The Rose Tattoo on Broadway (for Parterre Box)
Like any good gay theatergoers, we seek out Tennessee Williams revivals with the fervor of truffle-sniffing pigs.
REVIEW: Suddenly Spinto: AVA’s Giargiari Bel Canto Competition (for Parterre Box
David and Cameron consider 15 promising young singers, vying for a prestigious prize.
REVIEW: Heroes of the Fourth Turning Dwells in Darkness
So much doctrine; so little insight.
REVIEW: 1812’s The Roommate is a Comedy that Needs Fewer Laughs
A character-driven, wryly humorous play gets a production often mired in sitcom glibness.
REVIEW: The Philadelphia Stories: Festival O19 Wrap-Up (for Parterre Box)
Festival O19 ended on a sweet note, connecting Opera Philadelphia with the city and our musical future.
REVIEW: Florian Zeller’s The Height of the Storm Offers Dementia in a Luxury Setting
Seeing this exercise in naval-gazing on the eve of impeachment feels like the theatrical equivalent of fiddling while Rome burns.
REVIEW: At the Arden, Ragtime, Seen From a New Perspective
It’s as if the show has gone from the page to the stage… and back again to the page.
REVIEW: And When I Die: O19’s Let Me Die (for Parterre Box)
In this intriguing but confounding theater piece , creator Joseph Keckler wants to have his cake and eat it too.
REVIEW: Total Ellipse: The Spellbinding Denis & Katya at Festival O19 (for Parterre Box)
This superb chamber-sized two-hander has a monumental, shattering impact.
