It’s as if the show has gone from the page to the stage… and back again to the page.
In this intriguing but confounding theater piece , creator Joseph Keckler wants to have his cake and eat it too.
This superb chamber-sized two-hander has a monumental, shattering impact.
Once again, the audacious Opera Philadelphia folks are playing without a net.
If this production has an astronomy lesson to teach us, it’s that lightning doesn’t strike twice.
Domingo was out and Audra was in, as the Philadelphia Orchestra opens its season. Cameron and David were there…
Tina Satter’s 70 minute play is disturbingly effective, even as it raises questions about the nature of documentary theater.
For better and worse, Lantern Theater’s production charms rather than alienates us.
REVIEW: When Fringe Meets the American Canon (Part II: And Tell Sad Stories of the Deaths of Queens)
EgoPo Theatre makes a welcome return to Tennessee Williams’ with this fascinating dramaticule.
Director Jamie Lloyd and a strong trio of actors puncture the pomposity of Harold Pinter’s adultery drama.