reclining standards

REVIEW: Williamstown’s A Human Being, of a Sort Is the Wrong Kind of Exhibition

Playwright Jonathan Payne’s sense of distance robs us of our need for outrage.

… in Dominique Morriseau’s lovely new play, they do.

… but director Robert O’Hara’s insights alternate between brilliance and glare.

A radiant performance showcased the exceptional work done here by gifted young singers.

This 11 CD collection confirms Fassbaender’s status as one of the greatest interpreters of recent times.

Adams, superb at crafting arcs of sound, can’t handle characters or narrative.

Yannick and this magnificent orchestra were born for Bernstein.

This dispiriting, desultory revival essentially defines the difference between camp and kitsch.

The flame of Charles Ludlam and his Ridiculous Theatrical Company is fanned here by the great Everett Quinton.

But IRC’s wonderfully garish production is a must-see for Christopher Durang fans and others.