Judith Ivey offers a performance of raw, unflinching honesty across the story’s increasingly bleak three hours.
This musical is as manicured as the kind of Stepfordian society the material supposedly rails against.
A conceptual misstep frustratingly dilutes and distracts from an often rewarding musical performance.
Don’t miss this superb show, which returns for a run this December!
The great Amanda Schoonover makes the ordinary extraordinary.
It’s not difficult to make an audience weep. But artists have a responsibility to not overuse that power.
They came, saw, and conquered… and I hope they return soon.
The Berta (mezzo-soprano Emily Damasco) runs away with the show.
Seen here, this dated piece of earnest but intolerant realism seems almost a parody of itself.
After seven decades in show business, the legendary actress and comedienne still knows her way around a joke.