reclining standards

armchair observations on theater, music, and more with your hosts, david fox and cameron kelsall

  • About Reclining Standards

One Little Soldier: Opera Philadelphia Streams Soldier Songs

January 24, 2021

You will not soon forget David T. Little’s harrowing, riveting monodrama, nor Johnathan McCullough’s performance.

Everybody Is Nothing Until You Love Them: Our Critics Watch The Rose Tattoo (for Parterre Box)

January 18, 2021

It would be impossible to overpraise Anna Magnani’s performance.

Learning to Fly: Myths and Hymns, Part I from MasterVoices (for Parterre Box)

January 17, 2021

MasterVoices’ epic project may be the best showcase Guettel’s work has yet received.

Call of the Wild: Zachary James’ New Visual Album (for Parterre Box)

January 13, 2021

Call Out is an inspiring example of artistic light generated even when our theaters are temporarily dark.

Jamie & Julia: Opera Philadelphia Streams Lee Hoiby’s Bon Appétit (for Parterre Box)

January 9, 2021

As Julia Child, Jamie Barton is clearly having the time of her life.

Lady Drinks the Booze: Our Critics Look at Smash-Up and I’ll Cry Tomorrow

January 4, 2021

I’ve said it before, and I’ll say it again: nobody hits rock bottom like Susan Hayward.

I Guess That’s Why They Call It the Blues: Our Critics discuss Ma Rainey’s Black Bottom (for Parterre Box)

December 21, 2020

Netflix adaptation hits the marks of Wilson’s original while settling into a more focused filmic style.

The Gang’s All Queer: Our Critics Discuss Ryan Murphy’s film of The Prom (for Parterre Box)

December 14, 2020

If the original version of The Prom had zazz—Ryan Murphy’s adaptation barely achieves fizz.

Philadelphia Stories: Two Local Theaters Enter the Streaming World (for Parterre Box)

December 2, 2020

With virtual streamed productions, the Wilma and PTC show that a path forward might also bring national recognition.

I Soil Easily: Our Critics Discuss I Want to Live! (for Parterre Box)

November 30, 2020

The camp elements here–including Susan Hayward’s performance–are undeniable, yet I WANT TO LIVE is a sincere and important movie.

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Recent Posts

  • The Fuzzy End of the Lollipop: DF and CK review Some Like It Hot on Broadway (for Parterre Box)
  • Witch Side Are You On?: CK reviews Becky Nurse of Salem at Lincoln Center Theater
  • So Far Away: CK Reviews A Far Country at Atlantic Theater Company (for Parterre Box)
  • The Sense of Dramatic Thrust: DF Reviews La Traviata at Academy of Vocal Arts
  • Love, Loss, & What She Wore: CK Reviews Sondra Radvanovsky in Recital at Carnegie Hall

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