As Blanche Hudson might have said, “It’s still a pretty good picture”… and then some!
Another installment in our series on Bette Davis brings us to the second thriller in the famous Robert Aldrich diptych.
Jeanne Eagels and Siobhan McKenna show that there are many ways to write The Letter.
Bette Davis dazzles in one of her early signature films.
Peter Shaffer’s play is seen here for what it’s always been: a piece of lowbrow camp masquerading as highbrow art.
Katharine Hepburn’s particular iconoclastic style certainly suits Jo March.
In one of her earliest film performances, already: “The girls got something!”
David and Cameron discuss some of the greatest comedic performances ever filmed.
David and Cameron turn their attention to one of Katharine Hepburn’s most famous performances.
The exceptionally fine acting in this film survives the test of time better than Albee’s play.