reclining standards

armchair observations on theater, music, and more with your hosts, david fox and cameron kelsall

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REVIEW: EgoPo’s Nocturne Brings Theater to the Parking Lot

May 3, 2021

Adam Rapp’s elliptical meditation on grief and guilt ushers in a new era of in-person performances in Philadelphia.

Myth Me Blind: DF on Adam Guettel’s Myths and Hymns by MasterVoices (for Parterre Box)

April 23, 2021

MasterVoices’ imaginative traversal of Adam Guettel’s quirky, charmingly uncategorizable work continues.

Monsters Don’t Die Early: Our Critics Discuss Sweet Bird of Youth (for Parterre Box)

March 31, 2021

Geraldine Page and Paul Newman shine in a problematic adaptation of Williams’ fork-in-the-road play.

David’s Thoughts on Allen vs. Farrow

March 23, 2021

Seven years ago, I wrote about Woody Allen. My feelings haven’t changed.

Original Sin: Our Critics in Conversation about It’s a Sin (for Parterre Box)

March 3, 2021

It’s a Sin may be the gay drama we have been waiting for.

Fascinating but Frustrating: Our Critics Discuss Sonya Yoncheva in Recital (for Parterre Box)

February 27, 2021

With this recital, the Metropolitan Opera kicks it’s diva-dom game up a notch!

Forging Forward, Instruments in Hand: Our Critics on the Met Orchestra Streamed Concert (for Parterre Box)

February 23, 2021

Guest soprano Angela Gheorghiu brought her radiant individuality to a project close to her heart.

Peyton Place on the Riviera: Cameron and David discuss Night of the Iguana (for Parterre Box)

February 15, 2021

If The Night of the Iguana is not exactly a day at the beach, it’s not really the dark night of the soul it should be, either.

Stopping by Philly on a Snowy Evening: Molly Sweeney from the Lantern Theater

February 8, 2021

I’ve long held that Philly’s best actors are as good as those anywhere, and you’ll see that here.

Wild Things Leave Skins Behind Them: Our Critics Discuss The Fugitive Kind (for Parterre Box)

February 3, 2021

This version of Orpheus Descending takes off like a rocket.

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Recent Posts

  • Grand Passion: Rigoletto at Opera Philadelphia (for Parterre Box)
  • The End of This Play Isn’t Written Yet: The Skin of Our Teeth at Lincoln Center (for Parterre Box)
  • Stained Class: Lucia di Lammermoor at the Met (for Parterre Box)
  • Middle America In Caps: How I Learned to Drive Comes to Broadway (for Parterre Box)
  • Shining Hours: Kevin Puts’ New Opera at the Philadelphia Orchestra (for Parterre Box)

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