Some Old and Then Some New Tricks: CK & DF Review Gypsy (for Parterre Box)
Audra McDonald is Broadway’s latest Rose in George C. Wolfe’s re-conceived GYPSY.
No Light, No Window, Just Broken: DF & CK Review Broadway’s Romeo + Juliet
A terminally hip production and model-pretty cast can’t disguise the work of an interpretively clueless director.
REVIEW: DF on The Hills of California at the Broadhurst Theatre
Jez Butterworth’s play wants to both shine a harsh light on nostalgia, and to bask in it.
Humming Chorus — The Listeners at Opera Philadelphia (DF for Parterre Box)
Missy Mazzoli’s gorgeous score is the major takeaway here: a dazzling success in every way.
REVIEW: Annie Baker’s Wonderful Janet Planet
It’s a joy to see this great playwright equally at home as a screenwriter and director.
REVIEW: Lucy Kirkland’s The Welkin at the Atlantic Theater Company
Lucy Kirkwood’s riveting and unsettling play is both fresh and a welcome return to old-school playmaking.
Playing in the Rafters: CK Reviews the Philadelphia Orchestra’s La Boheme (for Parterre Box)
Opera took center stage on the final weekend of the Philadelphia Orchestra season.
Irreverent, Intelligent, and Broadway Bound: CK Reviews Oh, Mary
This is the show that this season captured theater cognoscenti like no other.
Fox on Fox: DF on Curtis Opera Theatre’s Wonderful Cunning Little Vixen (for Parterre Box)
This superb production by Curtis Opera Theatre would be a credit to any opera company anywhere.
If You Could See It Through My Eyes: DF on Cabaret (for Parterre Box)
Each successive version pushed the envelope further… and was less effective.
reclining standards 