THEATER REVIEW: In Constellations, Life and Its Possibilities
Nick Payne’s lovely play, gorgeously produced at the Wilma, is a treat for scientists and poets.
Nick Payne’s lovely play, gorgeously produced at the Wilma, is a treat for scientists and poets.
This often enjoyable production doesn’t fully capture the play’s sublime, disquieting oddness.
Some effective moments and good performances here, but not much new insight into Lizzie Borden
Laughs are plentiful in the Walnut Street production. But is it really funny?
In a kitchen in Rhinebeck, ordinary and extraordinary life transpires in Richard Nelson’s magnificent trilogy.
This high-budget, high-energy production is entertaining but rarely more. Why not?
The writers and star of 1812’s new holiday show talk about their creative process, and the healing power of theater.
After the battering year we’ve had, the sweet hopefulness of the show could not be more welcome.
You will see no more delightful show, nor a better lesson in stagecraft, this season.
This over-devised adaptation of The Brothers Karamazov sinks under its own weight.