THEATER REVIEW: Girl Seeks Wedded Bliss in Mazeppa’s Sweet Charity
A young and talented cast deliver the show with unflagging energy and charm.
THEATER REVIEW: In I Am Not My Motherland, Past and Present Tell Different Stories
Orbiter 3’s latest premiere is Emily Acker’s ambitious, sometimes effective, but not altogether cohesive play.
THEATER REVIEW: Encores’ Do I Hear a Waltz? — Dancing, Mostly in the Dark
A listless concert staging proved that this one-off Rodgers & Sondheim collaboration doesn’t need a revival.
THEATER REVIEW:She Loves Me at the Roundabout
Bock, Harnick and Masteroff’s superb show is not a “musical comedy” — so why is it performed like one?
Q&A with Broadway Diva Kelli O’Hara
The King and I star and Tony Award winner performs with Seth Rudetsky at the Merriam Theatre on Tuesday, June 14.
THEATER REVIEW: Art and Identity in 36 Views at Lantern
Naomi Iizuka’s complex play, in a visually beautiful production, is a mixed bag.
THEATER REVIEW: Hillary and Clinton Is Them But Not Them
Lucas Hnath’s slight but provocative play is entertainingly done at Philadelphia Theatre Company.
THEATER REVIEW: Straight White Men Are Not What You Think
Young Jean Lee’s complex, often wonderful, destabilizing play gets a fine production at InterAct.
THEATER REVIEW: Home and Heroism in The Plough and the Stars at Irish Heritage Theatre
An A-for-effort production with some fine moments doesn’t fully realize the size and scale of the play.
THEATER REVIEW: Girl Talk, Hairdos, and Beloved Actresses in Steel Magnolias
At Bucks County Playhouse, Robert Harling’s formulaic script is made more enjoyable by a terrific cast.
