REVIEW: In Completeness at Theatre Exile, the Bumpy Road between Comedy and Science
Take my yeast—please!
REVIEW: Wild Goose Dreams at the New York Public Theater
This noisy but empty show is more like a Wild Goose Chase.
PREVIEW: This Is The Week That Is Laughs at Our Crazy World
The 1812 Productions’ team on how and why they make funny in the Age of Trump.
REVIEW: Arden’s Every Brilliant Thing is a Tour de Force for Scott Greer
Philly’s love affair with this superb actor has never been more heartfelt.
REVIEW: A Treasurable The Color Purple at Theatre Horizon
This gloriously intimate, profoundly moving production finally gets the show exactly right.
REVIEW: At Quintessence, Oliver!, Twisted
Director Alexander Burns’ sometimes imaginative rethinking cannot redeem Lionel Bart’s awful musical.
REVIEW: Marilyn Maye Scores a Home Run at Dino’s Backstage
Singing doesn’t get better than this.
Razors, Edge: Sweeney Todd at Curtis Opera (for Parterre Box)
Ensemble coordination is this production’s greatest achievement, along with some fine individual contributions.
REVIEW: Tales of the Unexpected: Suor Angelica and Le Villi at Academy of Vocal Arts (for Parterre Box)
A mixed bag of a production, but some singing of significant promise.
REVIEW: In Wilma’s Mr. Burns, A Post-Electric Play, Let There Be Light…Please!
This frantic, antic production doesn’t illuminate Anne Washburn’s poignant satire.
reclining standards 