Mälkki Way: CK Reviews Ligeti, Mussorgsky & More at the New York Philharmonic (for Parterre Box)
A fascinatingly varied program captured both intellectual rigor and palpable joy in music-making.
A fascinatingly varied program captured both intellectual rigor and palpable joy in music-making.
It sounds like a bad joke, but Beth Wohl’s riveting Camp Siegfried–superbly done by Theatre Exile–is rooted in reality.
In this vulgar world, there is no situation that can’t be limned with a power ballad.
Another year, another strong group of AVA artists give us careers to look forward to.
How did this slimly plotted show make it to Broadway? Four words: Josh Gad! Andrew Rannells!
A beautiful, funny, disquieting study by an artist whose mastery of understatement is nonpareil.
If only good intentions were good theater!
Wanna feel old? Hair, “The American Tribal Love-Rock Musical,” has its 56th birthday this month.
Despite some stunning stage images, this adaptation of The Pianist remains stubbornly literary and often inert.
Cameron offers a loving tribute to James Jorden, Parterre Box’s founder and eternal force.