Theater

REVIEW: Curio’s Marie Antoinette has Éclat… Mais Pourquoi?

David Adjmi’s clever but thin play offers theatrical showmanship but not much else.

Alan Harris’s rollercoaster of a play is a hint of Spring renewal in the depths of February.

This puzzling evening celebrated an adored institution even as it raised questions.

Mastery of style is everywhere in this jewel of a show that is wistful, wry, and deeply touching.

How could some very talented people deliver a show so devoid of authenticity?

Hats off to EgoPo for the theatrical coup of the season: mounting John Guare’s epic play cycle.

In director Ken Marini’s revelatory production, Beckett’s modern classic feels freshly-minted.

Part I of John Guare’s monumental trilogy perplexes even as it makes us want more.

Jackie Sibblies Drury’s dreary play is a sprawling, 70-minute journey to nowhere.

MJ Kaufman’s play is big on dogma and short on insight.