TV REVIEW: Catching Up with People vs. O.J. and House of Cards
In what might be a cautionary tale, two promisingly edgy shows slide to big three network pablum levels.
THEATER REVIEW: At EgoPo, The Women Is Served Straight Up with a Twist
Forget the 1939 movie — this deconstructed, provocative production will have you thinking about the play as never before.
THEATRE REVIEW: Local Girls at Azuka Is an After-School Special with an Edge
There’s more than a hint of young adult fiction to Emma Goidel’s play, but the right audiences will enjoy it.
OPERA REVIEW: Capriccio is a Triumph
Richard Strauss’ funny, beautiful and moving last opera is superbly done in this co-production by Curtis Opera Theatre and Opera Philadelphia.
MUSIC REVIEW: At the Met, Anna Netrebko Reinvents the Recital
The 3,800 seat Metropolitan Opera may be a temple to music – but it’s not a recital hall. Increasingly, though, the company […]
THEATER REVIEW: Red has Intimacy Issues
John Logan’s play is executed skillfully at the Walnut Studio, but the intimate space robs it of its grandeur.
THEATER REVIEW: Theatre Exile’s Smoke is 50 Shades of Meh
Kim Davies’ play about sexual bondage feels like a cynical exercise in edginess for its own sake.
THEATER REVIEW: Pippin Dazzles at the Academy of Music
Director Diane Paulus’s circus-style production is a visual dazzler – but two Broadway veterans walk off with the show.
DF Reviews Spine (Inis Nua Theatre Company)
Clara Brennan’s intriguing one-character play — a love-letter to libraries — gets a fine production at Inis Nua, with an extraordinary performance by Emily R. Johnson.
DF Reviews Buried Child (New Group at Pershing Square Signature Center, New York)
I was introduced to Sam Shepard’s writing when I was in college, and it was love at first read. At that point […]
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