In Young Jean Lee’s Straight White Men, Bros will be Bros
The author has tweaked her intriguing, elliptical script in problematic ways.
REVIEW: PSF’s All’s Well That Ends Well is the Comfortable Side of Extreme
In positive and negative ways, this bold production idea proves surprisingly smooth sailing.
REVIEW: In Titus Andronicus, the Son Will Come Out, Tamora
Shakespeare Theatre of New Jersey’s energetic production makes a good case for the play without solving all its problems.
REVIEW: At the Pennsylvania Shakespeare Festival, the Poetic Richard II is made Prosaic
The crown may be hollow, but here it seems weightless.
REVIEW: PSF’s Shakespeare in Love is a Midsummer Night’s Dream
Yet this extravagantly enjoyable show would benefit from being taken a bit more seriously.
REVIEW: In His Girl Friday at Hedgerow, Screwball Comedy That’s Trying Too Hard
Summon the ghosts of Rosalind Russell and Cary Grant at your peril.
REVIEW: From the Transport Group, Smoke… and Intermittently, Fire
In this intriguingly spare production, Tennessee Williams’ Summer and Smoke remains a puzzler.
REVIEW: More Flash than Substance in Broadway’s The Iceman Cometh
The major takeaway from George C. Wolfe’s uneven production is it’s time we put Iceman on ice.
REVIEW: In Three Tall Women, One Towers Above the Others
Joe Mantello’s wildly entertaining production also exposes the flaws of Albee’s play.
REVIEW: Richard Eyre’s Starry, Shallow Long Day’s Journey into Night at BAM
This lightweight production feels more like One Day’s Journey into Dusk.
reclining standards 