reclining standards

REVIEW: All My Sons on Broadway: A Critical Dialogue

Critics David Fox and Cameron Kelsall discuss Arthur Miller, and this idea-free, crash-and-burn production.

The sexiest moment on Broadway this season features a 73-year-old man and a single button.

What once seemed a poignant meditation on AIDS now plays as a study in white privilege.

The audience at this vulgar show doesn’t care about Russian History. What they want is AnastasiaTM.

A beloved and very human story here has the glossy sheen of a theme park ride.

At Classic Stage, this pallid imitation of Brecht & Weill meets a director with the same aesthetic.

Rodgers and Hart’s 1938 dance musical proves impossible to resuscitate.

Scott Ellis’s busy production puts Porter’s sublime musical between a rock and a hard place.

In their best moments, the mezzo and pianist Ted Sperling were near-ideal Bernstein-isti.

What R. B. Schlather’s visually arresting production has to do with the opera remains a mystery.