Theater

REVIEW: The Fever at PIFA is a 75-Minute Icebreaker-from-Hell

600 Highwaymen’s non-play was an endurance test—how long could I stay in a theater without screaming?

This serious, ambitious show feels like its still a work in progress.

A particular tension—between angry political resistance, and gloriously buoyant queerness—fuels TM24’s immense energy.

Phylicia Rashad’s flashy, shallow production reveals how close this play is to TV comedy.

Less here would be so much more.

This show needs two key ingredients—Englishness and charm. Here, it had neither.

This brilliantly acerbic, absurdist comedy gleefully thumbs its nose at trigger warnings.

Is this once-iconic satire still viable, or a historical curiosity? That is the question.

Michael Hollinger’s funny and clever play could use more gravity.

In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.