New York

Monsters, No-Neck and Otherwise: Cat on a Hot Tin Roof x2 (DF Review for Parterre Box)

Two radically different productions offer fascinatingly contrasting insights into Williams’ great play.

Two plays — one considerably stronger than the other — aim to capture American Jewish experiences.

That Some Like It Hot fizzles rather than sizzles is not only a disappointment, but also a bit of surprise.

A main theme in Sarah Ruhl’s play is how history is distorted by those who get to tell it.

Lloyd Suh’s moving, meditative play considers the rise of anti-Chinese sentiment during America’s Westward expansion.

Sondra Radvanovsky eschewed the customary recital format, putting her selections in a highly personal context.

Stuffed with Stoppardian cleverness, there’s far too much in LEOPOLDSTADT to register with specificity.

Martyna Majok Pulitzer Prize-winning play overflows with complexity. It begins with the title.

In this moving, unsettling work, playwright Gracie Gardner gives the experience of illness pitched to true life.

Sarah Silverman’s memoir-musical takes on a traumatic subject with an uneasy mix of crude comedy and serious themes.